Jens Lindemann Master Class Quotes from George Mason University (Part 1 of 3)

Trumpet virtuoso Jens Lindemann is one of the great players and pedagogues of any instrument in the world today.  He is truly gifted musician and educator and we were honored to have him come to George Mason to give a master class last semester.

Here are some quotes from his class with the brass ensemble.  There were so many good ones I had to split this up into three posts.

Enjoy!

• "The relationships you're forging now are the ones you will have in 15-20 years.  Remember, as you gain in status so do those who are now around you."
   
• "Tchaik 4 with the NY Phil and Zubin Mehta was like opening a cage and tossing raw meat into it."
   
• "This is where your research will help your performance.  If you know the composer is a cinematic composer, you will play it in a cinematic way."
   
• "There's not a trumpet player in the world that I don't have on speed dial.  I'm super famous."
   
• "The greatest of the great players are the ones that say they're going to take this to the next level no matter what it takes."
   
• "You don't have to be superstar players to make a great performance."
   
• "The big thing about chamber music is that you shouldn't play it like you're sitting in the back of the orchestra.  It's harder to play soloisticly in that scenario."
   
• "Traditionally you think about fitting in and keeping the machine going when you win a job."
   
• "They all looked at me and told me 'No no. Don't play it like Freddy played it.  Play it like you play it.'"
   
• "When you obviously have a moving line, like 8th notes in a ballad, move it along."
   
• "Rhythm is a musical term for cooperation."
   
• "The third note of a quarter note triplet is not important.  What's important is the first note and where it's going."
   
• "Are you going to let the trumpets steal your solo line or are you going to Marty-ize it?"
   
• "Not everything has to line up vertically in music.  I used to think it did."
   
• "I used to hear Gene (Watts) talk about 1960's Mozart.  About how the bass and drums didn't line up, about how it was out of tune.  'But it was so right.'"
   
• "The day you start sounding perfect, like a computer, is the day you completely lose what this is about: emotional rub."
   
• "It's not just how you play the downbeat.  It's having direction in the notes leading up to the downbeat."
   
• "There are a handful of musicians in our business that are untouchable.  Like Wynton Marsalis.  He's not a trumpet player.  He's an icon."